All posts by Aaron Rosenberg

Novelist, children's book author, and game designer

2018 Recap

It’s been a little while since I updated this blog, so it seemed fitting to do that now, when I tend to look back over the year and what I’ve written and published. Here are the highlights:

  • I had three new novels come out this year, all of them original works and each from a different publisher–four, if you count the U.S. and UK editions of the third book separately (they were separate deals with separate publishers). The first book, Digging Deep, is the latest installment in the O.C.L.T. occult thriller series I created with David Niall Wilson over at Crossroad Press. The second, Not for Small Minds, is the fourth and final novel in my DuckBob Spinowitz SF comedy series–don’t worry, DuckBob will still turn up in short stories from time to time. And the third is Bones of Empire, the first book in the five-book Relicant Chronicles, an epic fantasy series I’m writing with Steven Savile. Needless to say, I’m excited to see all three of them out.
  • I had five short stories come out as well. Two of those were DuckBob stories (see, I told you he’d still be around!), for two different anthologies. One was a short story for an anthology series called Brave New Girls, which donates all its proceeds to a scholarship for girls going into math and science. One was a short story for an anthology based on the Masters of Orion video game, and the last one was for the Nisaba Journal and is a prequel to a novel I have coming out next year set in Green Ronin’s Mutants and Masterminds superhero setting.
  • I wrote somewhere around 220k this year. Which is definitely down from last year, but I lost about three months due to some stupid life-drama (don’t worry, everything’s fine now, I just couldn’t focus to write while it was going on). I’m not pleased about the total–I usually aim for 300k+–but given the circumstances I can live with it. I hope to do better next year, though.
  • I attended a bunch of conventions, most of them old favorites like GenCon, Origins, and ShoreLeave. At most of the shows I sold books, though a few like GenCon and PhilCon were just for doing panels and hanging out with friends.
  • I mapped out plans for a whole bunch of projects for next year, including more novels, more short stories, and even a few games. More on those as they come up.

I’d say it’s been a pretty good year, professionally. And there’s lots more to come, so I’m hoping for even bigger and better in 2019. I hope all of you had a good year as well, and I wish a Happy and Healthy New Year for us all.

Seeing the Shrinky Dink: a #holdontothelight post

Hold Onto the Light banner

Sometimes, with a tough topic, I find it best to approach obliquely via humor. So when I set out to write about mental wellness, naturally my first thought was WWDBD: “What Would DuckBob Do?” The vignette below is the result. I hope you enjoy it, and that even while you laugh you recognize that this is a serious topic and matters a great deal to me and to many others. Thanks.

* * *

“Tell me,” the shrink demanded, “about your mother.”

“Why?” I asked. “Is she next on your hit list?” I turned my head to glare at him, though I had to be careful doing that—even with my neck muscles, it’s way too easy for me to get whiplash. Friends learned early on never to sneak up on me—and a good many ambulance chasers learned not to pay people to do it, either. “I only let you in because you tricked me, you know.”

“I did not trick you,” he replied, folding his arms over his chest and sounding very affronted. “I laid out the terms of engagement very clearly, and you chose to follow them. To the letter, I might add.” His lips twitched under his big, bushy mustache. Great, at least somebody was amused.

“Oh, come on!” I sat up so I could stare at him better. “You snuck in through the mail slot!”

“It is not sneaking,” the shrink insisted primly. “That is my normal mode of transport to visit potential new clients.”

“Disguised as a ‘you just won!’ flier?”

“You did win,” he replied. “You won the opportunity for a one-to-one consultation with one of the universe’s greatest psychoanalysts. Namely, me.” He puffed up at that last bit—literally, he grew to nearly twice his previous size.

And I hadn’t even added any more water this time.

When I’d gotten the flier just a few minutes ago, my first thought was “yeah, sure, whatever.” I used to get that kind of crap all the time back on Earth, fliers and letters and emails that said “Hey, you just won!” and then if you read the rest or clicked on the link you found out that, sure, you won—the chance to be buried under a whole bunch of legalese mumbo-jumbo that, if you got right down to brass tacks, told you that you could have a brand-new car or a shiny new laptop or your own line of personalized dog food. Provided you signed over a sum equal to ten years’ salary, plus any real estate you owned, plus your kidneys, plus that old, busted Evil Knievel action figure you’d had since you were a kid and just couldn’t bear to part with. I’ve never understood how they knew about that last one, since it was tucked safely away inside an equally vintage Speed Buggy lunch box.

But this one caught my eye because, instead of saying “call this number!” or “send all your money to this address!” or ‘visit us online!” it just said “if you’d like to receive your prize, set this flier on a flat, clean surface and sprinkle a few drops of water onto it.”

So I did. I figured, what was the worst that could happen? I’d wind up with a damp flier and maybe a new stain on the coffee table.

Yeah, you’d think after all these months out here at the center of the galaxy, I’d know better by now.

No sooner did I spritz the paper with water than it starts swelling upward, like the ugliest tumor ever on fast forward. And right up from the paper pops this guy.

I’m saying “guy” because of the mustache, but honestly, that’s just me doing mental shorthand. He’s also got long blond braids like Heidi or Sven the Vainglorious, after all. And big, faceted bug eyes. And wriggly bits where his ears should be.

Still, he is wearing a nice suit, all dark gray and kinda shimmery, like it’s gray silk or something. The top half, anyway. He basically stops at the waist, right where the flier sits.

Obviously, my first question was, “How’d you do that?”

“Oh, this?” he answered with a sniff. “Simple. I extrude a tiny portion of my psyche through a thin liquid-activated lens embedded in the paper. This allows me to see multiple patients at once, and to arrange consultations in any location at a moment’s notice. Now,” he demanded, folding his arms over his chest, “Tell me about your mother.”

And here we were.

“What do you want to know about her for, anyway?” I asked. “I thought I won a free consultation, shouldn’t you be asking about me?”

“It isn’t a free consultation,” he corrected. “What you won was the opportunity to have this consultation. I have a very extensive waiting list for new clients, you know.”

“Oh yeah? Pour water on it and see what happens,” I suggested. Yeah, this guy was annoying me.

It didn’t help that my couch had decided to be helpful. The second this guy had appeared and started in with his Sigmund Freud from the Stars routine, it morphed itself into a classic psychiatrist couch, the low-slung kind that angled up on one side so you could lay flat against it but have your head higher than your feet. I used to wonder how it even knew to come up with so many different shapes, until the time I caught it reading a magazine called “1001 new furniture shapes from across the galaxy.” It blushed a deep scarlet when it saw me there, and stayed that color for almost a month. I had to tell people I’d spilled ten gallons of wine just so they’d stop wondering about the change in décor.

So here I was, laying back on a shrink’s couch, talking to a shrink. Something I swore I’d never do after the time that one guy visited our school when we were kids. I still remember him suggesting to Ma that, if she just turned her house into a mental ward, she’d already have all the beds filled and she’d get a really good tax break.

Honestly, I think what made her balk was the idea of putting bars on all the windows. She’s never been big on home improvements. Besides, she knew we’d just dig a new escape tunnel if that happened.

“All right, fine,” the shrink huffed finally. “We won’t talk about your mother, though clearly you have some Oedipal issues to work through.” He produced a pipe from a pocket and stuffed it into his mouth—literally shoved the whole thing into his mouth and started chewing like it was taffy, then began blowing what looked like big iridescent bubbles that, as they popped, smelled faintly like some kind of floral tobacco. “What would you like to talk about? Your job? Your love life? Your inability to—”

“Whoa, hold it right there!” I stopped him, raising a hand. “That was one time! And I wasn’t ready! And have you ever tried to make a Florenscu flying omelet-wrap? Those things are a nightmare! Especially when you don’t have the right cheese. Or the right jet-powered spatula. Or the right number of hands.” I shuddered just thinking about that particular little cooking experiment. I’d be hoping to impress Mary with my culinary genius. Instead I got to demonstrate just how long it took to scrape bits of cheese and egg off the ceiling.

“Very well.” He looked like he was pouting, though it was tough to tell under the mustache. “What do you want to talk about?”

“I—” Huh. I hadn’t really expected him to ask me that. For a second, I was stumped. But, as anybody who knows me will tell you, I can never stay quiet for very long. Or at all, really. I even talk in my sleep, Mary says. Though at least then I do different voices. She’s particularly entertained by my Muppet-themed dreams, and keeps threatening to record them and turn them into a podcast.

So what did I want to talk to a shrink about, now that I had one here?

“I . . . might have a few concerns,” I admitted cautiously. Because I know that saying that to a shrink is like going to a doctor and saying “Something hurts.” It’s like giving them an excuse to print money. And sure enough, this one’s eyes lit up when I said that. Not literally, though, because beams shooting from all those facets at once? I’d have been blind or transported back to the last ELO concert for sure. This was more like a gentle glow. Still, it was clear he was excited.

At least he made some effort not to sound too eager when he asked, “What sort of concerns?”

“Well,” I waved a hand past him, past the living room, toward the main room of the complex. “You see that?” He twisted about and stared for a second at the arena-sized room and the strange, glittering, glowing, weaving thing circling slowly about it. “That’s the Matrix. Like, the Matrix. The one that protects the entire universe. And me? I’m its guardian. Me. DuckBob Spinowitz. Defender of the galaxy.” I shook my head. “My last job? I worked in a cube, in an office. I literally compared row upon row of numbers on one screen to the same thing on another, and clicked a button whenever one didn’t match. That’s it. I don’t even know what those numbers were, who they were for, what happened when I clicked, but seeing as how we were an office supplies firm, I doubt it was much more than ‘oh, the Hendersons got too many paper clips again.’ Now? I’m in charge of protecting the cosmos. It’s kinda a big step up, you know?”

He nodded. “You have Imposter’s Syndrome,” he explained.

“What? No, I can roleplay just fine—you should see me do Woody Woodpecker.” But he was already shaking his head.

“Imposter’s Syndrome means you worry that people have mistaken you for someone far more talented than you really are, or more valuable in some way, and that they will figure out the truth and shun you as a result,” he explained.

“Oh.” I thought about that a second. “Yeah. I guess. Though I did save the universe once already. No, twice. Okay, and the Earth once, which could’ve spread, so maybe three times total? It’s been a busy year.”

Now he was the one staring. At least I think so. Anyway, his bug eyes seemed bigger than before, and his mustache was sticking straight out to either side. “This is not an exaggeration or a figure of speech?” he asked slowly. “You have really and truly saved the universe? More than once?”

“Well, yeah,” I admitted. “At least, that’s what the Grays said.”

“Hm.” He leaned back and tried to look all calm and professional again. “Many people suffer from Imposter’s Syndrome, and in most cases their fears are natural but unfounded, just a result of the fact that they care about what they are doing and worry that they will not be able to meet everyone’s expectations. I suspect that yours are the same here. You are not an imposter or a fraud, even if you sometimes feel that you are.” He stroked his mustaches, smoothing them back into place. “What else?”

“Uh,” I considered saying “nothing, that was it, seeya, bye,” but couldn’t stop myself. “Sometimes I get down a bit,” I admitted instead.

“Down? How?” Again his eyes were glowing, so I could tell he thought he’d struck therapeutic gold here.

I just shrugged. “It gets lonely here sometimes, you know? Used to be, when I first landed this gig, I literally had to be chained to the Matrix twenty-four-seven. Ned rigged up something so I could at least sit out there, and get to the john, but I couldn’t go more than twenty, thirty feet away, ’cause that was long as the wires stretched.” A sigh slipped out before I could clamp my bill shut. “Ned stopped by every few weeks to check on the tech, and Tall came by sometimes for reports, and Mary would stop in whenever she was free, but that was about it. I was stuck here, all on my lonesome, and I’m not all that good with just me and my thoughts. They tend to jump out when I’m not looking and gang up on me. So, yeah, I got a little low. Started wondering why I bothered, what the point was, stuff like that.”

“And now?” the shrink asked. “I notice that you are using the past tense when referring to all this.”

“Oh, yeah.” I tapped the headset Ned had designed for me, which still looked a lot like a Barbie tiara worn backward so it rose up behind my head like the world’s ugliest reverse pompadour. “Ned made this thing, so now I’m plugged into the Matrix anywhere in the galaxy. I can come and go as I please, though I still live here most of the time. So it’s a lot better—I can go home and see my mom, hang out with my old friends, have lunch at my favorite pizza place, all that.”

“Then it sounds like you are no longer feeling down.” He stroked his mustaches again. “What did you do when you were? How did that manifest?”

I thought about that. “I cleaned a lot,” I answered finally. “And took up cooking. And talked to people on the phone a whole bunch.”

“Oh? You did not cut yourself off from all contact? Curl up in a ball? Sleep most of the time?” He seemed genuinely surprised by this. Guessed I’d stumped him a little. Ha, Stump the Shrink—it’s either a new party game or some new plan to miniaturize old tree stumps after they’d been cut down. Which could still be a party game, come to think of it.

“Naw,” I answered. “I’ve never been a big one for that, you know? I need to move around too much for that—I sit still too long, I get antsy. And cut myself off from everybody? I talk too much, and I’d rather talk to other people than just myself. When it’s just me, I already know the punchline to all my jokes.” I shook my head—carefully. “I’d call Tall or Ma or Mary or Ned or some of the old gang. That helped a lot.”

“Yes.” He nodded slowly. “It would. When you said you got ‘down’ I assumed you meant that you were depressed. Most people, when depressed, isolate themselves because they feel unworthy of contact and are convinced that no one will care that they are not there. True depression is not only mentally but physiologically debilitating—those who suffer from it often find themselves feeling weak and lethargic, in large part because they see little point in mustering the energy to move.”

“Oh.” I thought about that. “Wow, that would suck. Naw, I don’t have that, I guess.”

“You do not appear to, no,” he agreed. “Depression does not require a trigger, and indeed often occurs when the individual is in a good situation otherwise—it simply occurs without warning or reason, which can make it extremely difficult to treat. You do seem to have some feelings of anxiety and unhappiness brought on by isolation, which is understandable given your location and solitary occupation. The best response to this, of course, is to force yourself to resume contact and reassure yourself that people care about you and would notice your absence. You seem to have grasped that intuitively.”

I was still thinking about what he’d said. “You know, one of my buddies back home, Leo, he told me once that he gets depressed sometimes,” I mentioned finally. “I just thought he meant the same stuff I just said, feeling down and all. I didn’t realize it was as bad you said.” I scratched my cheek, right where the bill starts. “Come to think of it, there’d be weeks where I wouldn’t see or hear from him or anything.”

The shrink nodded. “He was most likely battling his depression during those disappearances.”

“Crap. I should’ve called him, huh?”

“It might have helped,” the shrink agreed, “but it might not have. When a person has depression, they must combat their inner voice before they are ready to heed external ones. Though knowing that others are concerned for you is never a bad thing.”

“Inner voice, huh?” I laughed. “Yeah, I don’t really have one of those. If I think it, I say it. Always been that way—born without a filter, that’s me.”

“I am sure that has led to some . . . complications from time to time,” he noted. “But for some things, like dealing with depression, it might have proven to be a good thing. Many people suffer from depression because they internalize their feelings instead of expressing them.”

“Ha, no, I express ’em all,” I said. “No local deliveries here.”

“Yes, I see, very good.” I couldn’t help thinking, when he said stuff like that, that he was British. He sure sounded like the classic stuffy British butler. Maybe he’d just been watching too many Fawlty Towers reruns beamed out into space. He leaned in. “Any other problems? Feelings of inadequacy? Of not fitting in?” He gestured at me, specifically at my head. “You are from Earth, yes? I recognize the vernacular. But others from your planet, they do not look like you, do they?”

“Ha, no, I’m special,” I agreed. “I’m not the only one the Grays experimented on over the years, but I’m the only one they turned into a duck. Closest I saw was a hawk, once. Fierce-looking dude, too. Except poor guy had scabs all over his chest—every time he’d nod, he’d cut himself. Horrible.”

“I see.” The shrink studied me. “And yet you never felt—dare I say this without sounding facetious?—ostracized due to your appearance?”

I shrugged. “A little, sure. Especially at first, when people’d pull away from me on the subway. But then I just thought, ‘hey, at least now I always get a seat.’ And if people wanted to get all bent out of shape because I’ve got feathers and a duck bill, well, that’s their problem, right? I wasn’t exactly Fabio before, so anybody who knew me and liked me it was because they could look past the outsides already, and this?” I stroked my bill. “This was just more of the same. It’s why I changed my name to DuckBob, you know. I figured there wasn’t any way to hide what I was, so I might as well own it.”

“That . . . is a remarkably healthy attitude,” he said after studying me a moment. “You clearly have a very strong sense of self, but I would not say you were egotistical, just that you know who you are and are comfortable with that.” He sighed, blowing his mustache up away from his lips. “I think there is little I can do to help you.”

“Oh yeah?” I levered myself up on my elbows to look at him properly. “So I’m a lost cause?”

“On the contrary,” he answered, “you are one of the most stable individuals I have had the pleasure to encounter. You know who you are, you know your worth, and, perhaps most importantly, you do not shrink from your thoughts and feelings. When you have concerns or doubts you confront them, and you share them with those closest to you. That is immensely difficult and valuable.” He shook his head again. “If everyone I met was like you, I would soon be out of business.”

“Oh. Well, thanks.” I stood up, and my couch quickly shifted back into its usual more recliner-style configuration. “So, I guess we’re done, then?”

“We are indeed.” The shrink smiled, making his mustache quiver. “Except for the small matter of my fee.”

“Uh huh.” This time I was the one to cross my arms. “Okay, how much is this little soul-baring party gonna set me back?” Honestly, I wasn’t even feeling too upset about his bait-and-switch anymore. It had felt good to talk about this stuff with somebody who didn’t already know me and excuse my behavior, and it was reassuring to know that I wasn’t so bad off, really.

He paused to consider that for a second. “Ten quadrillion bextangles,” he declared finally. “Which, I must point out, is quite a bargain for a professional of my caliber.”

“Yeah, you’re all heart,” I muttered. I turned to my computer, which was just on the other side of the room—I often sat on the couch and had the computer project movies and soap operas for me. “Computer,” I said, waking it up, “show me Earth and Galactic Core equivalents to ten quadrillion bextangles.”

The screen lit up, displaying a whole series of options. One of them, turmeric oleoresin, caught my eye. I knew that one, if only because I’m the kind of guy who obsessively reads the ingredients lists on everything I eat. Hey, it’s how I learned to say most of the major colors in a whole bunch of languages!

“Here,” I said, stepping away to snag a box of Wheat Thins from the kitchen and returning to toss them at the shrink. “Knock yourself out.”

He caught the box and studied it skeptically before opening it and extracting one of the small, flat, square crackers. Then he extended a tongue like a butterfly’s, long and thin and curling, and wrapped that around the cracker. Ugh. “Oh, my,” he exclaimed, his words a little distorted ’cause he was talking with food in his tongue. “Turmeric oleoresin and calcium phosphate and I believe I detect glucose and fructose as well? Heavenly!” He considered the box, hefting it a little. “This is far more than ten quadrillion, you know.”

“Eh, that’s fine—consider it a tip,” I told him.

“Thank you.” He closed the box and tucked it protectively under one arm. “Now if I could trouble you to sever the lens’ connection? Simply apply heat to its surface.”

“Oh. Right.” Over on my desk I had a small hand-warmer—hey, it got chilly here sometimes, even for a guy covered in down!—and I grabbed that. “Here we go.” I switched it on and waved it over what I could see of the flier around the guy’s torso.

“Thank you.” He bowed from the waist even as he shrank. “It has been a pleasure. Please keep the flier, and if you ever have need of me again, just reapply water.” He was dwindling faster and faster, and now I was waving the warmer across the entire flier, including the part he was on.

“Yeah, sure,” I told him, but he was already barely more than a bubble. Then there was a pop, and the paper was flat again.

I turned the hand-warmer back off—it was comfortable in here today, so I didn’t need it—and scooped up the flier. For a second I thought about keeping it, but then I folded it and stuck it off to the side instead. Tall was coming by tomorrow to catch a game, and I’d slip it into his pocket then.

I couldn’t wait to hear what the shrinky dink made of him!

In the meantime, I figured I’d go give Leo a call. Like the shrink said, it probably couldn’t hurt. Maybe I’d see if he wanted to grab lunch and chat a bit. Get stuff off his chest. I’m a good listener, when I’m not talking.

I figured I could charge him two boxes of Wheat Thins and turn a profit on this whole shrink thing.

* * *

About the campaign:

#HoldOnToTheLight is a blog campaign encompassing blog posts by fantasy and science fiction authors around the world in an effort to raise awareness around treatment for depression, suicide prevention, domestic violence intervention, PTSD initiatives, bullying prevention and other mental health-related issues. We believe fandom should be supportive, welcoming and inclusive, in the long tradition of fandom taking care of its own. We encourage readers and fans to seek the help they or their loved ones need without shame or embarrassment.

Please consider donating to or volunteering for organizations dedicated to treatment and prevention such as: American Foundation for Suicide Prevention, Hope for the Warriors (PTSD), National Alliance on Mental Illness (NAMI), Canadian Mental Health Association, MIND (UK), SANE (UK), BeyondBlue (Australia), To Write Love On Her Arms (TWLOHA) and the National Suicide Prevention Hotline.

To find out more about #HoldOnToTheLight, find a list of participating authors and blog posts, or reach a media contact, go to http://www.HoldOnToTheLight.com and join us on Facebook https://www.facebook.com/WeHoldOnToTheLight

PhilCon 2015

PhilCon logo

Next weekend I will be at PhilCon in Cherry Hill, NJ! (I know, I know, don’t ask) If you’re attending, here is my schedule:

Fri 8:00 PM in Plaza V (Five)—Exploring the YA Landscape (2159)
Far more than just dystopian dictatorships and magical boarding schools, young adult literature has a lot to offer. Let’s take a look at some of the less-visible categories in the field.
Christine Norris (mod), Anne E. Johnson, Aaron Rosenberg, Jack Hillman, Ty Drago

Fri 11:00 PM in Plaza IV (Four)—The Changing Face of Space Opera (2169)
With the passing of Iain Banks, who is vying to take up the torch?
D.H. Aire (mod), Christie Meierz, Aaron Rosenberg, Christopher Weuve

Sat 10:00 AM in Plaza IV (Four)—The Frustration of Incomplete Series (2174)
Think of those last books that never come out. Why does this happen? Is there any good response to this situation, or are we stuck going crazy?
Aaron Rosenberg (mod), D. Renee Bagby, Ty Drago, Jack Hillman

Sat 12:00 PM in Plaza IV (Four)—Modern Myth-Making (2136)

How to adapt old myths and create new ones. What makes a belief system appropriate for a world?
Tobias Cabral (mod), Sally Wiener Grotta, Mitchell Gordon, Danielle Ackley-McPhail, Aaron Rosenberg, Gail Z. Martin

Sat 4:00 PM in Plaza IV (Four)—Writing in Shared Universes (2131)
How do you handle building story arcs and developing characters when you’re not solely in charge of a world? What changes when you’re working with others at a professional level?
Michael A. Ventrella (mod), Dina Leacock, T. Patrick Snyder, Mike McPhail, Catt Kingsgrave, Keith R.A. DeCandido
[Note that I am not officially on this panel, but I plan to crash it. Hard.]

Sat 5:00 PM in Plaza II (Two)—Things You Should Read (But Don’t Know About Yet) (2226)
Not every amazing book is a best-seller. Whether it’s an unsung classic or a recent author, come talk about the fiction you’ve found that, strangely, nobody else seems to be talking about.
Fran Wilde (mod), Dena Heilik, Joseph Berenato, Alex Shvartsman
[Not on this one either, but will probably either crash it or attend it]

Sat 5:00 PM in Plaza IV (Four)—Getting Them While They Are Young (2135)
Creating SF&F aimed at kids and teens presents a different set of problems from writing for adults. The majority of science fiction is serious and brainy, and much of it is quite complex. Children respond better to simpler ideas presented with a sense of fun, while teens are easily bored, overcome by hormones, and desperate to fit in with their peers. This panel explores tricks to writing SF&F that appeals to kids and teens, as well as analyzing outstanding examples of books, films, and TV shows that draw in younger generations.
Jim Stratton (mod), D.H. Aire, Christine Norris, Anne E. Johnson, Dina Leacock, Gary Feldbaum
[If I don’t go to the Things You Should Read panel, I’ll be at this one]

Sat 6:00 PM in Plaza III (Three)—Small Press Magazine Panel (2121)
Hear what the editors have to say.
Hildy Silverman (mod), Ty Drago, Neil Clarke, Brian Koscienski, Gordon Linzner, Julie Ann Dawson
[Might attend this one]

Sat 7:00 PM-9:00 PM in Executive Suite 823—”The Side of Good / The Side of Evil” Launch Party, two hours (2286)
eSpec Books editors and authors celebrate the release of this nostalgic superhero/supervillain flipbook anthology.
Danielle Ackley-McPhail (mod), Neal Levin, Keith R.A. DeCandido, Gail Z. Martin, James Chambers, Walt Ciechanowski
Mike McPhail (mod), Jason Whitley, Aaron Rosenberg, Drew Bittner

Sun 11:00 AM in Crystal Ballroom Three—The Changing Face of Publishing (2123)
How is it moving away from the conventional New York publishing scene? There are so many alternatives today (Crowd-sourcing, small presses, independent publishers and non-print electronics) Will the big publishers be left in the lurch?
Sally Wiener Grotta (mod), Russ Colchamiro, Joseph Berenato, Alex Shvartsman
[Not on this panel but will probably crash it.]

Sun 1:00 PM in Crystal Ballroom Three—How to Sell Your Fiction (2122)
So you have a finally finished a story. What are the main markets? Who do you want to avoid?
Hildy Silverman (mod), Alex Shvartsman, Barbara A. Barnett, Neil Clarke, Danielle Ackley-McPhail, Robert E. Waters
[Might crash or attend]

Sun 2:00 PM in Plaza IV (Four)—Avoiding Contract Nightmares (2177)
How to navigate the legalese in a publishing contract and recognize what constitutes a red flag…or a giant blinking neon “DO NOT ENTER” marquee.
D. Renee Bagby (mod), Suzanne Rosin, Bernie Mojzes
[Great topic, might crash or attend]

I’ll also have books for sale in the dealer’s room, courtesy of my buddy and fellow Crazy 8 member Russ Colchamiro, and the rest of the time I’ll just be wandering around, hanging out, etc. So find me and say hi!

New books!

I’ve got stories in two books that are just out!

The Side of Evil

The first is The Side of Good/The Side of Evil, a flip-book–yes, an actual flip book! But not the kind with the little animations you flip at the upper corner, the kind that you read and then flip the whole book over and read from the other side, like the old Ace Doubles–about superheroes and supervillains. My story is called “The Shtick” and it’s about a supervillain who’s having a hard time finding his . . . idiom. 🙂 Technically this book isn’t out yet, because we’re launching it at PhilCon next weekend.

The second is Stargate: Points of Origin, a new anthology featuring stories from Stargate SG-1 and Stargate: Atlantis. My story is “Kill Switch,” where the Atlantis Expedition finds a mysterious asteroid that’s a lot more dangerous than it seems.

StargatePointsOfOrigin

Both were a lot of fun to write, in completely different ways. If you get a chance, check them out and let me know what you think!

GenCon 2015 Schedule

Next week I’m off to GenCon! I’m taking part in the Writer’s Symposium for the second time, which should be great fun–I had an excellent time last year and this year promises to be more of the same. For those of you who’re going (or who’re simply curious), here is my schedule:

Aaron’s 2015 GenCon Schedule

Thursday:
10am: Craft: Making the Fantastic Feel Realistic
11am: Craft: Eliciting Emotional Responses
12pm: Business: Second-Stage Writing Career—What to Expect
5pm: Once andFuture Podcast MEGACAST

Friday:
1pm: Business: Editors—Roles and Relationships
2pm: Craft: Interactive Fictions (aka Choose Your Own Adventure)

Saturday:
9am: Characters: Creating Characters 101
10am: Characters: Character Voice
1pm: WB: World Building

Sunday:
9am-11am: Read & Critique
11am: Characters: Build Them Up After Tearing Them Down

Come find me, check out the panels, or just stop by to say hi!

It goes Sidewise!

I’m very excited about this–my short story “Let No Man Put Asunder,” which appears in the Europa Universalis IV: What If? anthology, has been nominated for a Sidewise Award! The Sidewise Awards for Alternate History began in 1996 and are named after the Murray Leinster story “Sidewise in Time.” The winners will be announced at Sasquan (this year’s WorldCon) on August 21. I was stunned when they notified me, and I’m honored to be included.

Blog Hop!

The ever-awesome Chris A. Jackson tagged me for this blog hop, and I am happy to oblige!

So, without further ado, the questions, señor!

#1 What am I working on?
I’m currently putting the finishing touches on an X-Files story for an anthology by Jonathan Maberry. Really excited about this one, since I’m a HUGE X-Files fan and have been since college. After that I’m completing a story for a new anthology by Paradox Press, based on their game Crusader Kings II. Then it’s back to work on an Ogmios novel with Steve Savile, a follow-up to his original novel Silver. I’ve got several other novels and short stories lined up to take me through the end of the year and into the first part of 2015. Oh, and I’m writing some pieces for the Firefly RPG from Margaret Weis Entertainment, which is great fun as well. Go, Browncoats!

#2 How does my work differ from others of its genre?
I’ve been complimented on my worldbuilding, and particularly on how well I bring readers into a world and get them engaged with it without throwing a lot of exposition at them. This is one advantage to also being a gamer, and someone who has written RPGs. I spend a lot of time plotting out everything going on in a world, and how the elements all gel together, and that skill carries over into writing fiction. I’ve also had people comment, with the DuckBob books, on how funny they are, and how much fun they are to read. There isn’t a ton of comedy in fiction these days, especially in science fiction, but I enjoy adding humor to my writing, and sharing a laugh with my readers. However, If I had to pick one thing I think I excel at, I’d say “readability.” I like to think it’s very easy to pick up one of my novels and lose yourself in it and just have fun with it.

#3 Why do I write what I do?
Ha, I may have just answered that at the end of the last question! ☺
I write because I love to tell stories. It’s just that simple. I’ve been a storyteller since I was a kid, both coming up with wild stories for classroom writing assignments and making up fun stories and adventures with my friends. As I grew older, I started to widen my net, reaching out to a broader audience. I learned the craft of writing, learned how to better shape the tales I was telling. But the end goal has always been the same. I write to entertain. I want my readers to enjoy my books. I want them to have fun reading them. I want them to put down the book after they’re finished and say “cool!” It’s the feeling of satisfaction you get when you tell a joke and people laugh, or you cook a meal and those who eat it rub their bellies after and say “man, that was good stuff!” That’s what I want. I want my readers to be happy they read my book because they enjoyed the story I told and the way I told it.
As to why I write science fiction or fantasy or thrillers or action-adventure or comedy or mystery or superheroes or whatever else I may write, the answer is much the same. When I write a science fiction story, it’s because I have a science fiction story I really want to share. When I write a mystery, it’s because I came up with a great idea for a mystery and I want to bring that to my reader. I don’t restrict myself to one genre, and usually when I come up with a story idea I’m not trying to focus on a particular genre. I’m just struck by an idea for a good story. Why the genres I named above? Because those—and a few others—are the ones I like myself. They’re the ones I read, the ones I watch. So they’re the ones I enjoy, and thus the kind of stories I also enjoy creating.

#4 How does my writing process work?
Most of the time I just get an idea as I’m walking along, or riding the subway, or talking to friends, or whatever. Something I’ve heard or seen or read or said sparks a stray thought of “hmm, now what if . . . ?” and my mind runs with it. I usually jot these things down, sometimes in a quick email to myself, other times on a Post-it or a random scrap of paper, until I can write them down properly on the computer. Then I save the idea in my Pitches folder until the next time I’m casting about for something new to write.
Once I decide to work on a particular idea I open the file, reread what I wrote initially—usually it’s anywhere from one line to a few paragraphs—and then start to think about it in depth. I sometimes ramble on a blank document, typing as I work through details about character, plot, world, etc. When I feel I’ve got a good handle on the story, I clean it all up and write out a full plot summary. I usually send this out—to my editor if I’m writing it for someone else, to friends if not—to see if I’m on the right track, and revise as necessary based on feedback.
After I’ve got the summary locked in, I turn that into a full-fledged outline. This is for novels, btw—for a short story the summary is enough of an outline already, but for novels I actually map things out chapter by chapter. Then I start writing. I do most of my writing at night, after my kids are in bed—I’m a night owl, so I tend to write from about 9 ’til midnight. My goal is usually to do a chapter a night, though I’ve done more when under a tight deadline. I write from start to finish, chapter by chapter, with no skipping around. Sometimes as I write the outline changes, two chapters merging together or one chapter splitting into several or someone doing something other than what I outlined and causing the story to swerve in a different direction. When that happens I adjust the outline to keep it current. Every night when I start writing I reread the last few pages from the night before, both to check them over and to get myself back into the flow of the story.
When the first draft is done I set it aside. I might send it out to beta readers, but I won’t look at it myself, not right away. It’s still too fresh in my head, so I’ll likely see what I meant to say rather than whatever I actually wrote. When the beta readers respond, that’s when I go back and look over it again. I clean up the text at that point, making changes based on both beta reader critiques and my own rereading. As soon as I’ve worked my way through those changes I stop, however. I know better than to just keep tinkering and tinkering. At this point it’s time to send the story off to my editor and see what he or she has to say. I won’t make any other changes unless they’re requested.
And that’s how I work. 🙂

Now, time to pass the baton. I think I was only supposed to tag three other authors, but enough friends were interested that I’m hitting five instead. 🙂 All of them are great people and excellent writers so you should check them out:

Phil Giunta’s first novel, a paranormal mystery called Testing the Prisoner, debuted in 2010 from Firebringer Press. His second novel in the same genre, By Your Side, was released in 2013. Phil’s short stories appear in such anthologies as ReDeus: Divine Tales, ReDeus: Beyond Borders, and Somewhere in the Middle of Eternity, which he also edited. He has completed a paranormal mystery novella titled Like Mother, Like Daughters, which is slated for release in 2016. Phil is currently serving as Chair for the 22nd annual Write Stuff conference to take place in March 2015 in Bethlehem, PA. Visit Phil’s website: http://www.philgiunta.com and blog: http://pgiunta.livejournal.com

Lorraine Anderson has been experimenting with many kinds of fantastic fiction, including comic strips with the artist Sherlock, fantasy stories, science fiction stories, and young adult paranormal fiction. She has had stories published in Star Trek: Strange New Worlds 8, ReDeus: Beyond Borders, and ReDeus: Native Lands. Her stories can be found under “Lorraine J. Anderson” at Amazon.com, BN.com, and Smashwords.com.

Bob Greenberger is a writer/editor/teacher who has worked at Starlog, DC Comics, Marvel Comics, and Weekly World News. Currently a high school English teacher in Maryland, he is also a co-founder of Crazy 8 Press, where he collaborates on the ReDeus shared-universe books. He won the 2009 Scribe Award and did some background writing for the After Earth film. You can find him online at www.bobgreenberger.com

Jay Smith is the creator and writer of the Parsec Award-winning audio horror series HG World, the Parsec finalist The Diary of Jill Woodbine, and The Googies. Inspired by the golden age of radio, Jay also writes Hidden Harbor Mysteries, an adventure inspired by stylish pulp radio series of the 1930s. Jay holds a BA in Creative Writing and is working on his Master of Fine Arts at Seton Hill University. HG World and Hidden Harbor Mysteries can be heard by subscribing through iTunes or visiting the show websites www.goodmorningsurvivors.com and www.hiddenharbormysteries.com

Jack Norris is a game designer and writer based in Chicago. He’s worked on roughly 50 books for several companies over the years, including Tianxia, his own line of rpg and fiction products based on wu xia and kung fu action media published by Vigilance Press. He is currently the Dragon Age Tabletop Roleplaying game developer for Green Ronin Publishing. Jack is also a licensed attorney and consultant who is “totally” going to restart his blog someday but until then he can be found on Twitter @JackNorr.

GenCon 2014 schedule

In just a few days I’ll be heading to Indianapolis for GenCon, the original tabletop gaming convention! It’s been a long time since I went to GenCon, and though I’ve attended as a fan and as a publisher this will be the first year I’m there as an author guest, part of the Writer’s Symposium. Here’s my schedule, if you’re looking for me:

Thursday, August 14:
11am, Room 243: Mysteries
1pm, Room 243: Monomyth Making
3pm, Room 243: Natural Speech vs. Prose Dialogue
6pm, Room 244: Purple or Poetry?
8pm, Room 244: Small-scale Adventure

Friday, August 15:
9am, Room 245: Media Tie-in Market Report
10am, Room 243: State of the Market
11am, Room 244: Care and Feeding of your Editor/Author
12pm Room 245: The Rules of Media Tie-in Fiction

Saturday, August 16:
10am, Room 243: Middle Grade: Scaring Kids
11am, Room 243: Middle Grade: Childhood Heroes
12pm, Room 243: Middle Grade: Writing to their Reading Level
3pm, Dealer Room: Signing
4pm, Room 243: What Makes It YA?
7pm, Room 243: YA: Thinking Young

Come check out my panels, or just find me and say hi!